Av


Av95002. Language and audiovisual narrative

Academic department:Communication Sciences
Units:3-0-8
Requirement:None
Semester and career:
Equivalence:None

General aim of the course:

1. To identify, to understand and to analyze the elements that constitute the grammar of the audiovisual language, in the audiovisual construction of messages.
2. To integrate the elements of the audiovisual language in structures that permit the adequate construction of messages to the different audiovisual media.
3. To understand the fundamental principles of the grammar and the audiovisual syntax and to apply them in the editing of hyphens for audiovisual products dramatists and informative.


Campus:Monterrey

Bibliography:
Giannetti, L. (2002). Understanding Movies. 9th Edition. Upper Saddle River, NJ: Prentice-Hall. ISBN: 0130408131
García Tsao, L. (2002). Cómo acercarse a... el cine. 2ª. Edición.
México: Editorial Limusa/CONACULTA. ISBN: 9681863488 Maza, M. y Cervantes, C. (1999). Guión para medios audiovisuales:
cine, radio y televisión. México: Alhambra mexicana. (Pearson). ISBN: 9684441727 Vale, E. (1999). Técnicas del guión para cine y televisión. México: Gedisa Editorial. ISBN: 8474322235

Instructor's profile:Professor with mastery or doctorate in Communication, Cinematography, Journalism, audiovisual Media, visual Arts, Humanities or Beautiful arts, with deep knowledge on cinematography, guionismo, audiovisual media (movies, radio, television and video) and new audiovisual technologies. Language of Instruction:Spanish.

Av95003.Experimental cinema

Academic department: Communication and Journalism
Units: 3-0-8
Requirement: None
Equivalence: None

General aim of the course: Through presentations, readings, discussions and practical exercises, the student will learn the history of experimental cinema and will practice alternative methods of film- and video-making with emphasis in conceptual, creative and aesthetic rigor, more than emphasizing technical abilities or high budgets. This is a course that combines theory and practice and the student doesn't need to have any specific previous knowledge, nor any specific equipment.

Bibliography: Gidal, Peter. Structural Film Anthology. London: British Film Institute, 1979.
Lipton, Lenny. Independent Filmmaking. New York: Simon & Schuster, 1983.
Rees, A. L. History of Experimental Film. London: British Film Institute, 1999.

Instructor's profile: Professor with a Master in Fine Arts (Film/Video) degree, with professional experience and knowledge of cinematography, film scripting, audiovisual media (film, audio, television and video) and new audiovisual technologies.
Language of Instruction: Spanish

Fecha de la última actualización: 29 de noviembre del 2004 (m)